Saturday was a day full of theater in
New York City.
The gals and I went to the matinee of the beautiful revival of the 1929 play "
Journey's End" about World War I. Written just ten years after the end of the First World War, this play examines the humanity of soldiers and the inhumanity of war. With searing performances all around, this show leaves its audience emotionally devastated.
When reading the credits during intermission I was delighted to learn that
Tony nominee
Stark Sands, who has a major role as fresh-to-the-army Second Lieutenant Raleigh, has a Bachelors of Fine Arts from the
University of Southern California.
This is not a "happy" show but one I'm so glad to have seen. Sadly it didn't catch on at the box office and will be closing tomorrow. Straight plays continue to struggle on Broadway.
Switching to this evening's performance, I'm head over heels about "
Xanadu." I haven't had this much fun in a theater since I saw "
Hairspray" in its out-of-town tryout in
Seattle in 2002.
You may remember the 1980 movie starring
Olivia Newton John and
Gene Kelly.
ONJ played a Greek mythological Muse who decides to help a struggling sidewalk chalk artist open a roller disco. It's considered by many to be one of the worst films ever made. Some say it single-
handily killed the movie-musical genre for 20 years. The
Golden Raspberry Award, which goes to the worst movie of the year, was created in reaction to "
Xanadu."
And it's this history, along with nostalgia for the 80s, that makes it one of the funnest stage musicals I've ever seen. The winks and the nods to the audience begin from the get-go and it's like you're part of one big inside joke -- what a hoot!
I salute
Douglas Carter Beane -- whose script for "
The Little Dog Laughed" I found offensive -- for writing a very witty, laugh-out-loud book for this musical. (It was also fun seeing him in the back of the audience watching the show and taking notes.)
Still in previews, I hear
Olivia Newton John is planning on attending Opening Night June 26
th.
Now it's time for my annual
Tony predictions. Follow along Sunday night and see how I do. (Please tell me you weren't planning on watching the "
Sopranos" finale instead of the
Tonys. Priorities, people, priorities.)
Best Play --
The Coast of UtopiaBest Musical --
Spring Awakening (a last minute switch by me from "Grey Gardens")
Best Book of a Musical --
Grey Gardens/Doug WrightBest Original Score --
Spring Awakening/Duncan Sheik & Steven Sater
Best Revival of a Play --
Journey's End
Best Revival of a Musical --
Company
Best Special Theatrical Event --
Kiki & Herb Alive on BroadwayBest Performance by a Leading Actor in a Play --
Frank Langella/Frost/NixonBest Performance by a Leading Actress in a Play --
Julie White/The Little Dog LaughedBest Performance by a Leading Actor in a Musical --
David Hyde Pierce/Curtains
Best Performance by a Leading Actress in a Musical --
Christine Ebersole/Grey GardensBest Performance by a Featured Actor in a Play --
Ethan Hawke/The Coast of UtopiaBest Performance by a Featured Actress in a Play --
Dana Ivey/ButleyBest Performance by a Featured Actor in a Musical --
John Gallagher, Jr./Spring Awakening
Best Performance by a Featured Actress in a Musical --
Mary Louise Wilson/Grey GardensBest Direction of a Play --
Jack O'Brien/The Coast of UtopiaBest Direction of a Musical --
Michael Mayer/Spring AwakeningBest Choreography --
Bill T. Jones/Spring Awakening
Best Orchestrations --
Bruce Coughlin/Grey Gardens
Best Scenic Design of a Play --
Bob Crowley & Scott Pask/The Coast of UtopiaBest Scenic Design of a Musical --
Allen Moyer/Grey GardensBest Costume Design of a Play --
Catherine Zuber/The Coast of Utopia
Best Costume Design of a Musical --
William Ivey Long/Grey GardensBest Lighting Design of a Play --
Jason Taylor/Journey's End
Best Lighting Design of a Musical --
Kevin Adams/Spring Awakening